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| The
Mezzotint |
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The
Mezzotint process was invented by Ludwig Von Seigen in Amsterdam
in 1642. It is a laborious and time-consuming technique for
creating a print, and primarily for this reason is not widely
used today. While the process seemed in danger of disappearing
at times, it has enjoyed a resurgence of interest by artists
and collectors during the past decade. |
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Mezzotints
are noted for images created through a tonal process, rather
than the incision of lines on the copper plate. Another distinctive
difference from other intaglio prints is that the image usually
emerges from a black background. The effect is created by pitting
the entire surface of the plate, using a tool called a rocker
or roulette, so that it would initially print as a solid black
background. |
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The
artist then flattens the pits and burrs using various burnishers
and scrapers to create a variety of tones and shades of gray
which form the image. A similar technique can be used to create
additional plates in order to add color to the print. |
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Five
plates were used in the execution of most of the images in the
'Flowers of Turbulence' series, with the application of as many
as ten color inks applied á la poupée. The use of multiple-plate
technique allows for a rich, dense color by providing the means
to overlay various hues. It also provides the opportunity for
the subtle layering of imagery, illustrated by the faint impression
of barbed wire visible under the skin of "Oboedientia," or by
falling leaves in "Genocidium." These underlying images suggest
hidden motives, emotions, or talents. |
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James Groleau pulling a print fresh from the press. |
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"Oboedientia" by James Groleau
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