The Original Print: Understanding Technique in Contemporary Fine Printmaking
by Chris Byrne
Printmaking spans everything from hand prints on ancient cave walls to Rembrandt's copper etchings of the Virgin and Child and Warhol's soup cans to the potato prints made by today's second grader at the kitchen table. Byrne, a print publisher and curator, here focuses on strictly contemporary uses of etching, aquatint, lithography, and screen printing. He covers both basic techniques and the joint experimentation of artist and master printer, surveying the American print scene with examples from ten of the top North American print houses. Recommended for collections serving advanced students and professionals.
The Power of Art
by Simon Schama
Schama presents eight remarkable artists who created their masterworks against a backdrop of personal and professional distress. From politically charged commentaries (David, Picasso, Turner and Rembrandt) to intensely personal visions of the world (van Gogh and Rothko) and the reinvention of the divine (Bernini and Caravaggio), Schama takes these masters' hallowed works off the museum wall and drags them through the mud and muck that went into their creation.
The Print in the Western World: An Introductory History - by Linda C. Hults
An great reference for art historians, students, and general readers. This chronological treatment is not limited to technical aspects, but is balanced with examination of the cultural and economic forces behind each medium as it developed, the achievements of individual artists, and the historical and cultural context of the work. (From Book News, Inc.)
Graphic Witness: Four Wordless Graphic Novels
by Frans Masereel, Lynd Ward, Giacomo Patri and Laurence Hyde
The proof is in the stark appearance produced by wood cuts and lino-engraving and the themes in these once-controversial works: social unrest, the plight of the downtrodden worker and the oppression of the weak by the strong. Masereel's The Passion of a Man (1918) tells a modernist Christ story in 25 dark pictures, while Hyde's Southern Cross (1951) is a pastoral tragedy about Pacific islanders caught up in the U.S. Navy's A-bomb testing. Ward's Wild Pilgrimage (1932) is a passionate aria to the human spirit, threatened with crushing death by the specter of soulless factory work and cruel bosses.

Wordless Books: The Original Graphic Novels (Hardcover) by David A. Beronä (Author)

“Wordless books” were stories from the early part of the twentieth century told in black and white woodcuts, imaginatively authored without any text. Although woodcut novels have their roots spreading back through the history of graphic arts, including block books and playing cards, it was not until the early part of the twentieth century that they were conceived and published. Despite its short-lived popularity, the woodcut novel had an important impact on the development of comic art, particularly contemporary graphic novels with a focus on adult themes.

Scholar David A. Beronä examines the history of these books and the art and influence of pioneers like Frans Masereel, Lynd Ward, Otto Nückel, William Gropper, Milt Gross, and Laurence Hyde (among others). The images are powerful and iconic, and as relevant to the world today as they were when they were first produced. Beronä places these artists in the context of their time, and in the context of ours, creating a scholarly work of important significance in the burgeoning field of comics and comics history.

Book Image How Prints Look
Using photographs of prints, and enlargement of details on these prints, the author makes it easy to see and understand the difference between one print medium and another. If you've ever wondered about the difference between an etching and an aquatint, woodcuts and lithographs - or if you need a refresher - this small book is one of the best around.
Book Image Printmaking in America : Collaborative Prints and Presses, 1960-1990
by Trudy V. Hansen, David Mickenberg, Joann Moser, Barry Walker
Book Image The Renaissance Print : 1470-1550
by David Landau, Peter W. Parshall

A beautiful and incredibly comprehensive book on the development of printmaking in Renaissance Europe.
Book Image Prints and Printmaking : An Introduction to the History and Techniques
by Antony Griffiths
In succinct and lucid language, Antony Griffiths explains the different printmaking techniques and shows both details and whole prints to demonstrate the effects that can be achieved. Woodcuts, engraving, etching, mezzotint, and lithography are among the many processes explained, illustrated, and placed within a historical context.
Book Image The Encyclopedia of Printmaking Techniques
This in-depth guide demonstrates how to roll, press, cut, etch, and stencil your way through the full range of printing processes available to beginners and experts alike. Clear instructions and original photographs illustrate how to choose and master the proper materials, tools, and equipment. An inspirational gallery of professional images captures the creativity and diversity of the art of printmaking. Over 250 color illustrations.
Book Image Thirty-Five Years at Crown Point Press : Making Prints, Doing Art
Over the course of the past 35 years, California-based fine art publisher Crown Point Press has established one of the finest reputations in the printmaking and publishing world. The press has printed and published important minimalist and conceptual graphics, as well as editions by such painterly painters as Richard Diebenkorn, Francesco Clemente, and Helen Frankenthaler. More than 200 full-color, beautifully reproduced prints in this softcover volume document the entire history and development of Crown Point.
Image Loading The Etcher's Studio by Arthur Geisert
This small but nicely illustrated children's book uses a young boy and his grandfather as guides to explain how drawings are etched in copper and printed. Reading level: Ages 4-8

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